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	<title>Comments on: Directing 101</title>
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	<link>http://thedirectorsector.com/2008/01/09/directing-101/</link>
	<description></description>
	<pubDate>Fri, 10 Sep 2010 20:34:11 +0000</pubDate>
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		<title>By: Broadway Mouth</title>
		<link>http://thedirectorsector.com/2008/01/09/directing-101/comment-page-1/#comment-40</link>
		<dc:creator>Broadway Mouth</dc:creator>
		<pubDate>Thu, 17 Jan 2008 00:50:55 +0000</pubDate>
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		<description>My college director spent a ton of time developing a really solid foundation of interpretation.  I've always been thankful for that because I've seen so many high school plays where no one has done any work on character or analysis of plot.

The one thing I feel like I want to learn more on (though I have no aspirations to directing professionally) is more stage movement.  I know many concepts, but I feel like my stuff is too stiff.

I think that before you can analyze someone's style, you have to know about it yourself.  You have to have a foundation of theory and technique.  That's my thought at least.  If I had a different prof, I might say something different, though.</description>
		<content:encoded><![CDATA[<p>My college director spent a ton of time developing a really solid foundation of interpretation.  I&#8217;ve always been thankful for that because I&#8217;ve seen so many high school plays where no one has done any work on character or analysis of plot.</p>
<p>The one thing I feel like I want to learn more on (though I have no aspirations to directing professionally) is more stage movement.  I know many concepts, but I feel like my stuff is too stiff.</p>
<p>I think that before you can analyze someone&#8217;s style, you have to know about it yourself.  You have to have a foundation of theory and technique.  That&#8217;s my thought at least.  If I had a different prof, I might say something different, though.</p>
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		<title>By: director</title>
		<link>http://thedirectorsector.com/2008/01/09/directing-101/comment-page-1/#comment-39</link>
		<dc:creator>director</dc:creator>
		<pubDate>Thu, 10 Jan 2008 03:35:11 +0000</pubDate>
		<guid isPermaLink="false">http://thedirectorsector.com/2008/01/09/directing-101/#comment-39</guid>
		<description>Margaret:  No problem!

Blue:  Exactly!  The class that I took barely covered anything related to directing.  We did a little research into the famous directors, but after that, he turned us loose, and I felt robbed of a learning experience.  I learned more directing a full production than I ever did in his class.  I guess that's normal, though.</description>
		<content:encoded><![CDATA[<p>Margaret:  No problem!</p>
<p>Blue:  Exactly!  The class that I took barely covered anything related to directing.  We did a little research into the famous directors, but after that, he turned us loose, and I felt robbed of a learning experience.  I learned more directing a full production than I ever did in his class.  I guess that&#8217;s normal, though.</p>
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		<title>By: Blue</title>
		<link>http://thedirectorsector.com/2008/01/09/directing-101/comment-page-1/#comment-38</link>
		<dc:creator>Blue</dc:creator>
		<pubDate>Thu, 10 Jan 2008 02:20:24 +0000</pubDate>
		<guid isPermaLink="false">http://thedirectorsector.com/2008/01/09/directing-101/#comment-38</guid>
		<description>Your "ideal" model is almost exactly how I run my directing class.  I agree 100% -- that learning how to communicate a proposal and a concept to a producer or to a design team is fundamental to a director's success.

If you can't explain why you are directing a play and what you want the performance to achieve, how will you ever be able to lead actors towards a unified result?</description>
		<content:encoded><![CDATA[<p>Your &#8220;ideal&#8221; model is almost exactly how I run my directing class.  I agree 100% &#8212; that learning how to communicate a proposal and a concept to a producer or to a design team is fundamental to a director&#8217;s success.</p>
<p>If you can&#8217;t explain why you are directing a play and what you want the performance to achieve, how will you ever be able to lead actors towards a unified result?</p>
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		<title>By: madmargaret</title>
		<link>http://thedirectorsector.com/2008/01/09/directing-101/comment-page-1/#comment-37</link>
		<dc:creator>madmargaret</dc:creator>
		<pubDate>Thu, 10 Jan 2008 00:15:11 +0000</pubDate>
		<guid isPermaLink="false">http://thedirectorsector.com/2008/01/09/directing-101/#comment-37</guid>
		<description>Hi Director! These articles are great! How about an article on how not to be perceived as Stalin? Apparently, I need lessons in that. Thanks for the note on my website -- it's much appreciated!</description>
		<content:encoded><![CDATA[<p>Hi Director! These articles are great! How about an article on how not to be perceived as Stalin? Apparently, I need lessons in that. Thanks for the note on my website &#8212; it&#8217;s much appreciated!</p>
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